Madonna and Child Paintings Throughout History

bloody shame and sm entirely fry Paintings doneout HistoryThrough history, people had used art as a reflection of their apparitional beliefs and culture fosters. The illustration of bloody shame and tiddler had been one of the much or less revenant arts in Christianity and European art in general. According to Christian beliefs, bloody shame redes the virgin marry and the small fry represents baby Jesus. Thought these religious creates and sculptures of The Madonna and babe may be along the analogous lines in their depiction of Christian iconography and artistic style, each carries a incompatible degustation and reflects the different epoch lay everyplaces and the different artists that had created them. Three examples of these characterizations are Madonna and Child, created by Berlinghiero from the Italian Maniera Greca period, Madonna and Child created by Duccio during the Italian Proto- rebirth, and Madonna and Child with Angels created Cosimo Rosselli during th e Early Italian Renaissance periods. When a attestant observe these triple Italian paintings, the viewer would recognize a development that takes place done the three time periods which is from the early thirteenth coulomb to later 15th century. Differences in these three paintings include the illustrations of the figures, mantlepiece style, treatment of space, and inclusion or the exclusion of the viewer. Nonetheless, the paintings represent similar religious and ethnical values since they all depict the Christian iconography of the Virgin Marry with baby Jesus. Madonna and Child is a real common Christian iconography that was seen by dint of history since the mired Empire.The painting Madonna and Child was painted around 1230 during the Italian Maniera Greca period by Berlinghiero, the outstanding painter of the thirteenth-century Lucca (Museum Label). This painting is tempera on woods with the two figures on front of a gold emphasise. Madonna is tiring a huge dark li vely disguise with friendly decorations which covers most of her physical structure and a reddish dress underneath the cloak that crapper only be seen in her arms. To show her modesty the only things that understructure be seen from her body are her face, neck, and hands. Her face shows a depressed perception with the lines around her eyes and her small mouth that depicts a frown. Her hand has an impractical look which are elongated and skinny. According to the Museum label, Berlinghiero was always open to snarled influence, and this Madonna is of the Byzantine type known as the Hodegefria, in which the Madonna points to the child as the way to salvation. The Hodegefria illustrate the Christian values and the value of the Byzantine art. The Child is wearing an orange Clock that covers most of his body. He is seated on top of one of his m differents hands with his body tilt towards his mother and his head facing the viewer. One of his hand points towards the right and in th e other hand he is holding a scroll that represent the religious scriptures, which carries a Christian iconography in which the scriptures represents the bible. Thought his is suppose to be a child his face is an adult like face, which as well arouse be a religious iconography that show Jesus as a mature child who leads people to salvation.Berlinghieros Madonna and Child is inorganic and phantasmagorical when it comes to the drapery of the clothing and the treatment of space. The figures are alike set in an awkward way with inorganic style of the body. There are many an(prenominal) folds in the figures clothes which extreme for a realist dress. The treatment of space is absent in this painting, where the figures seem to be flat and the light source is not clear in depicting the space and atmosphere. This painting is similar in its drapery and treatment of space to the painting Madonna and Child Enthroned with Angels which is from the same time period. Thought the painting is un realistic, it is still considered as a very great artistic work that depicts cultural and religious values of that time.Duccios Madonna and Child was created during the Italian Proto-Renaissance around 1300. Like the Berlinghieros painting, Duccios painting is tempera on wood with golden background. Moreover, Madonna is wearing a blue cloak with golden lines on the edges which covers most of her body. Madonna is looking at the Child who is trying to play with her checks and holding him with both(prenominal) of her hands. She seems to have a sorry look with her tilted head towards her child. The Child or Jesus is likewise wearing an orange dress with a red cloak over his shoulders. Compare to the child from Berlinghieros painting, Duccios child is looks more like a familiar child. We bunghole see that the depiction of the child has developed to a more realistic and organic one. In this painting not only does the child looks realistic in his facial characteristics solely with his childish movement objet dart playing with his mother checks. The drapery style is more organic than that of Berlinghiero but is not totally realistic. It has a very heavy and earthy look with its huge curves and wrinkles. This painting also lacks the emphases of space, since the figures looks like flat on the golden background. This painting can be compared with Giottos paining Madonna Enthroned with Angels and Saints, which is from the same time period, where we can see similar drapery style and facial characteristics of the child. Furthermore, this painting also shows the counting religious values of Italian art. This painting, like all the Madonna and Child paintings, has the Christian values.The third painting is the Early Italian Renaissance painting Madonna and Child with Angels by Cosimo Rosselli which dates about 1480 to 1482. Thought this painting is made of tempera and gold on wood, it is much more interwoven than both of the other paintings. In this painting Madonna i s dressed in a light red cloth and a light blue cloak floating over her head and shoulders while the child is shown nude, which is different than that of Berlingiero and Duccios paintings. The posture of the figures is also different Madonna is holding the child with both of her hands to make him stand on top of a table. Although, the childs body is a little disproportional, the bodies of both figures are more organic and natural. The bodies do not have a longitude hands and awkward faces like the other two paintings, which show the development in artistic design of the figures. Moreover, Rossellis painting has a more developed drapery style and space treatment. The drapery is more organic with ordinary looking wrinkles. The treatment of space is also a lot more developed than the other two paintings. Since the other two paintings had the figures as if they are flat, this painting is more organic because the viewer can feel like the figures are close while the background is seems fa r. This painting also has a vanishing point that gives the painting the feeling of space.As seen in the three paintings of the Madonna and Child, we can see that art develops through the years. Even thought the paintings of Madonna and Child carries the same religious cultural values, one can see how the style of the painting changes over periods of time in its drapery style, space treatment, figures characteristics, and even the postures of the figures. As a result, we saying that the depiction of the Madonna and Child in the late fifteenth century is more complex and organic than that of the early thirteenth century.